Notes from New Sodom
... rantings, ravings and ramblings of strange fiction writer, THE.... Sodomite Hal Duncan!!
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So the hatemail dubbed me THE.... Sodomite Hal Duncan!! (sic) So I will wear that with pride, cuntfuckers. It's like The Outlaw Josie Wales only better, right? I mean, did he have a fully capitalised THE, an extra-long dramatic pause, and two exclamation marks? No, he did not. Chickenshit.
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Monday, July 03, 2006
3 Comments:
That boy there, he's awful casual with words like "totalitarian", ain't he?
Hal, question that hadn't finished percolating through my mind at WisCon, since it was only a week or so after I read Vellum:
How, in Vellum do you reconcile "people die" with people always being alive, somewhere else, somewhen else, as somebody else?
— Feel free to tell me to ask again after I've read Ink; or to make a long-ass top-level post, either way. :)
I think I'm interested by this whole "totalitarian force of story" idea. On the one hand you can see it as talking about the traditional structure of novels (people complaining about Vellum because the plot doesn't make sense). On the other hand there's the aspect of the book that concerns the struggle to avoid the narrative of the world always following the lines of archetypal myths. Am I being horribly pompous here?
Am I being horribly pompous here?
Not at all. Certainly nowhere near as pompous as I'm about to be in responding to David's question (i.e. look out; long-ass top-level post coming).
Re "totalitarian": I think it's the right word. Because, yes, the struggle is against "story" on a lot of levels, seen as a binding, essentialising system.
Now... big post on anti-Platonic metaphysics in VELLUM coming up...
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